NEW YORK—“Here I am, baby!” Stevie Wonder sang over the loudspeakers in Arthur Ashe Stadium during the first set between Maria Sharapova and Simona Halep on Monday night. The words could have been written for Sharapova herself.
Here she was, just as we remembered her. There was the stony game face, set off by the sparkling black dress that looked like an update of the one she wore in 2006, when she won the title. There were the line-drive winners into the corners; Sharapova would hit 60 of them on the night. There were the equally hard-hit errors drilled straight into the net or five feet wide; Sharapova would commit 64 of those on the night. There were the aces—seven—when she needed them, and the double faults—seven of those, too—seemingly from out of nowhere, at just the wrong time.
For a set and a half, as Sharapova built a 6-4, 4-1 lead, many of us found ourselves asking, “Has she really only played one match since May?” Instead, it looked as if the 30-year-old had used the time off to make herself a better and more strategic player. Sharapova used her crosscourt forehand especially well, hooking the ball with sidespin and sending Halep into the alley, and then going back there with her next shot for a winner. Sharapova also used her slice backhand effectively, and even finished off one point with a backwards-reaching touch volley that could have been lifted from Pat Rafter’s repertoire. Maria, who was 17-0 in night matches in Ashe before Monday night, was back in her element.