If at first blast you don’t succeed, blast, blast again. I don’t know exactly what Maria Sharapova’s coach, Thomas Hogstedt, was telling her when he was leaning over and lecturing her like an angry fifth-grade teacher on changeovers this week in Rome, but it might as well as have been that and that alone. Sharapova had the breakout tournament that her fans have been, at various times, hoping for, expecting, and writing off, for the better part of two years, and she did it because the baseline bombs that she had been missing during that time were detonating just inside the lines again.
On Sunday, Sharapova beat Sam Stosur in fairly routine fashion in the final, though that match was as much about Stosur’s inconsistency, shaky backhand, and inability to rise to the big-match occasion. The bigger bang for Sharapova came in the semifinal, where she beat No. 1 Caroline Wozniacki and reversed two straight ugly defeats. The uglier of those came at Indian Wells this spring; in that match, a 6-1, 6-2, loss, Sharapova was able to set up a winning pattern—two forehands crosscourt, one down the line—but she couldn’t connect on the winner itself. She got wilder as the match wore on. On Saturday in Rome, Sharapova set up those same winning patterns, but this time she was able to move Wozniacki farther off the court by putting a little more topspin under her crosscourt forehand, and this time she connected. Her blitzed, seemingly blind backhands had my mind wandering back seven years to her win over Serena in the Wimbledon final. And this time Maria got better as the match wore on. She won the last five games from 1-3 down in the second set.
Sharapova was a self-described “cow on ice” on clay at one time, but she says her legs are stronger and her ability to recover has improved. She defended surprisingly well against Stosur, and once again dictated by setting up the right ground-stroke patterns—that forehand cross could be the key shot of the French Open. What’s not to like? The serve, of course. While it held steadier than it has lately, there’s still Sharapova’s unpredictably herky-jerky start to her motion, and her penchant for double faults that foreshadow an immediate drop in play—she threw in two in the second set that led to her being broken.
What’s to like? The WTA has been looking for a queen this year. Kim Clijsters doesn’t want the title or the role, so we’ve watched and wondered whether, in turn, Wozniacki, Azarenka, Goerges, and Kvitova might be the woman to slide all the way to Paris with it. The latest to join that parade might be the most promising. Sharapova, unlike the others, already is a queen. All she needs is for bombs to find the lines and her serves to find the box. We already know she has the regal strut, and the guts to back it up.
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