The dugout at the south end of Arthur Ashe Stadium was overflowing, but a tense silence reigned inside. A swarm of photographers had squeezed themselves, and the prodigiously long, 12-pound cameras they were hauling, into this small, dark, low-ceilinged room. There they jostled for a view of the court, where Roger Federer and John Isner sprinted in and out of view a few feet above them.
The roar of 20,000 New Yorkers enveloped the players as they pushed each other late into this September evening. Federer had won the first two sets in tiebreakers, and now led 6–5 in the third. This U.S. Open fourth-round match had reached its moment of truth—for Federer, Isner and the people who needed to capture their images for the world’s websites and newspapers.
While Isner gathered the balls to serve, a photographer from a French paper leaned back and exhaled.
“OK!” he barked as he shook out his arms and loosened his shoulders. “Match point!” Then he leaned toward his camera and, like a boxer taking a few shadow punches before a fight, pantomimed the motion of snapping a photo.
His colleagues followed his lead and straightened up in their chairs. Most had chosen their positions carefully after asking themselves a series of questions: Which side of the court would Federer, the likely victor, be on when he won? What did he usually do to celebrate? Which way would he look? Where was his player’s box?
As Federer hunkered down into his return position, the photographers double-checked their lens settings. A few of them had remarked, with nervous excitement, that they had rarely seen Federer so animated. The high-decibel, night-match atmosphere in Ashe, as well as Isner’s supersonic serve, had combined to make the 34-year-old as spry and alert as a man 10 years his junior.
But while that kept these photographers happy during the match, now it made them nervous: Would they be able to capture an amped-up Federer’s reaction to winning? This, after all, was the one shot they couldn’t miss. This was the moment that they had traveled from France, Great Britain, Australia, Japan, Switzerland, Germany, Spain and all over the United States to transmit home.
Within the space of a few seconds, Isner served the ball, Federer returned it, Isner hit it wide, the crowd roared and Federer wheeled around in the direction of his player’s box. Fortunately for this group of photographers, that meant he was wheeling around in their direction, too. As their shutters furiously snapped, Federer shuffled to his left and leapt sideways into the air, roaring triumphantly.
When Federer landed and began walking toward the net to shake hands with Isner, the men and women in the dugout lowered their cameras and looked back through the dozens of shots they had just taken. After an anxious second or two, one woman hugged the camera a little closer to her and said, “Yes!”
She had it.