Nick Kyrgios, in Canberra, reads a passage from "Legacy and the Queen"
When it comes to Kobe Bryant’s tennis legacy, we need to start with Legacy—the main character in Kobe’s book about tennis.
Yes, Kobe, an Oscar winner for Dear Basketball, his animated short film about the sport he mastered for 20 years, was also a creator of young-adult fiction.
In a story that evokes The Hunger Games, Legacy Petrin lives at an orphanage ran by her father in the Republic of Nova, a world divided into neglected provinces and affluent cities. As she helps care for the many orphans, we find out that she has an inherent gift: tennis.
“As soon as she was hitting the ball against the stone wall of the garden, the last of her worries slipped away. She was alone. Not even the birds were awake. There were no chores to be done, no little faces to wash, no small socks to wrestle onto wriggling feet. For now, all Legacy has to do was play tennis.
In a bit of foreshadowing, Legacy contends with shadows and darkness as she tries to hit the ball cleaner, with greater accuracy. As “the pale light of the moon began to seem brighter”…
“Then she began to aim for the same stone in the wall. Then she forced herself to aim for the same divot in the same stone. Time and time again, she hit her mark. She poured her whole weight into each shot. Certainty spread through every muscle in her body.”
If this sounds to you like a young Kobe, cultivating his muscle memory and refining the focus that would take him to iconic heights as an adult, we wouldn’t disagree. But it also sounds like a more mature Bryant, transitioning into his second career. Kobe was certain when he realized was time to leave the hardwood for hardcovers, but he brought the same, disciplined approach to his new passion. When the author of Legacy and the Queen, Annie Matthew, was asked which passage of the book resonated most with Kobe, she replied matter-of-factly.
“Every passage of this was important to him,” she said, adding that he read the full draft four times before the book’s publication in September 2019.
Legacy eventually leaves her province for the tennis academy in the city, against her father’s wishes, in hopes of winning Nova’s national championship. There, she faces opponents who use “inner weather” to conjure adverse playing conditions, such as snow on one side of the court, or cracks in the surface below. The process is referred to as “grana.”
But what sets Legacy apart from her competitors isn’t her lack of experience with grana, it’s her upbringing. In one scene, Legacy walks onto the court before a packed crowd of city dwellers, having cheered for her opponent, before the applause suddenly stops. It’s “our little scholarship student,” says a patronizing, partisan announcer.