Say what you will about Davis Cup. Complain about the strung-out four-week format, descry the alternate-host rule, pooh-pooh the frequent absence of the top players, and whine about the best-of-five-set matches.
It doesn’t amount to a hill of beans. Davis Cup remains the most dramatic, unpredictable, vibrant, and galvanizing event in tennis. Patriotism and pageantry have something, but not everything, to do with this.
Davis Cup is the closest tennis comes to pure theater even if, at times, it bears a closer resemblance to an action movie in which lots of stuff blows up than Shakespeare. In the end, each tie is a five-act play comprised of four singles matches and a doubles in between. Today, we witnessed acts one and two.
In Tokyo . . . neither Japan nor the Czech Republic has its top player available. Japan’s Kei Nishikori, ranked No. 18, is sidelined with a groin injury, and none of his teammates are ranked inside the Top 100. The Czechs are without No. 5 Tomas Berdych, but still hope to become the first team since World Group play began to win the Cup three years running. They have two players ranked in the 40s, Lukas Rosol and Radek Stepanek.
Stepanek wins the first rubber (match) of the tie, in a tough four-set struggle with Tatsuma Ito. Stepanek may be a beat-up 35-year-old notorious for his gamesmanship, but guys who take perverse pleasure out of ruining the day for a foreign crowd often flourish far from home as anti-heroes in Davis Cup.
No matter how you cut it, the Czechs—and Stepanek in particular—have big-time Davis Cup mojo.