I debated the other day over writing a tongue-in-cheek post (as opposed to a flat-out encomium) when Roger Federer clinched his fourth-consecutive year-end No. 1 ranking in Basel. I decided on the former mostly because of the "X" factor in journalism. That "X" factor, which is responsible for bringing readers so much pleasure (or grief) is the element of surprise. The degree to which the desire - and need - to give readers something a little different, or unconventional, is a powerful, driving force in journalism, a craft in which the simple, once towering mandate to simply deliver that which we call "news" is constantly diminishing.
This is something skeptics and media-bashers (of which I am often one) sometimes fail to take into account, which leads to bruised feelings on both sides of the Great Written Word Divide (writer and reader). A lot of what people erroneously describe as "pot-stirring" (or, simply, troublemaking) grows out of the overarching and relatively new compulsion that dominates journalism, and at times creates so much friction and heat that a meltdown inevitably occurs - the urge to be "interesting."
It gets harder and harder to be interesting, all the time. This is especially true in the open-ended forum of the Internet, where a writer has no space constraints and no deadlines, which means he is always on deadline and can't ever fill a required space, wipe his hands clean, and walk away. The weird thing about being "interesting" is that while there are lots of ways to be just that, there is one pretty sure way not to be interesting. And that is by trying to be so. Go figure.
Enough navel-gazing. This post is about the path not taken in my ESPN post - the less obvious dimensions of The Mighty Fed's latest achievement, something to which I couldn't do justice in the short ESPN blog format. My theory is that TMF, apart from being a natural-born genius, has specific physical and perhaps even emotional gifts that make him the ideal player for this period in tennis history. He is, in any ways, The Perfect Tennis Storm: the product of X-number of factors simultaneously converging to create an extraordinary natural event or phenomenon.
Let's start with some contrasts to underscore this point. Take TMF out of the equation, and imagine that the U.S. Open would have remained a grass court tournament. Is there any doubt that Andy Roddick could be holding six, seven Grand Slam titles today? Or leave TMF in the picture, and imagine that the U.S. Open, which was played on clay for three years in the late 1970s, decided to stick with the slower surface. Isn't it possible that TMF would be chasing Rafael Nadal, not the other way around?
Don't bother nitpicking or arguing those scenarios - of course we'll never know. But it sets the table nicely. Now think about Federer's basic attributes as a player. They are difficult to pin down precisely. You can't just say that he has an amazing serve, that his forehand is a killer weapon, that he has good eye-hand co-ordination, or great fast-twitch muscles.
You don't find TMF's genius by breaking down the components of his game (or, perhaps more accurately, his success). You find his genius by adding them together and regarding the final result. More than any tennis player I can name, Federer illustrates the idea that a whole can be far more than a sum of the parts. In fact, the difference between the sum of his parts and the whole is his genius.
Here's another way to look at this. Imagine that you are choosing up sides for a game of American football and Federer is on your team (sorry, futbol fans!). Where do you play him? I can easily see him as a quarterback - he is precise, cool, and seems to have the makings of a fine leader. I can also see him as a halfback, or flanker back, where his easy speed and good hands would be assets. And what about cornerback? See what I mean? The only place I can't really envision Federer is in the trenches.
TMF is an all-purpose athlete, and we are presently in a tennis era tailor-made for one. Among other things, this idea vividly shows the futility of comparing generations, agreeable an exercise as that is, because to a greater or lesser degree, the prevailing conditions in any generation not only shape the athletes of that epoch, they also help determine the winners and losers in the era. And we're using the term "generation" loosely, because when it comes to conditions, a generation may actually represent three or four generations of players, going on the assumption that one generation supplants another about every 8 to 10 years.
Three related factors helped make TMF - meaning the guy who dominates the game with nearly surreal ease - possible: the rapid growth of the international game, the gradual elimination of courts at either end of the surface-speed spectrum (a process hastened by changes in equipment, almost all of which promoted a faster, less defensive game), and the embrace of the all-court game, which rewards versatility over specialization and all-around athleticism over power.