* !Sod by Pete Bodo*
If you're anything like me, you're thinking: Okay, let's get this baby over and done with. We're down to the last official tournament of the year, the ATP World Tour Final, and it's a big one—theoretically. But theory and reality are two different things, and the best we can say about the year-end championships is that it's a work in progress. Has been for a long time. Whether it can ever get where it purports to go, where many think it should go, is a question that remains unanswered.
Nobody ever seems really sure what to make of the YEC, by whatever name it travels under (that, I think, is part of the problem, but beyond our scope at the moment). This is, in a roundabout way, a testament to the four-cornered game that has proven to be remarkably resistant to alteration. Think about it: the four Grand Slam events have, for all practical purposes, been the only tournaments that really matter. That this has remained so despite the convulsions of the Open era, in which so many other aspects of the traditional game have fallen by the wayside, is remarkable. And it has to be discouraging for the visionaries who predicted or tried to effect a genuine revolution in how the game is adminstered and presented.
The four "majors" were once vulnerable and might have suffered a loss of status for various reasons. Instead they've grown stronger. This is a testament to how well-managed they've been in recent years. The Australian Open was dead in the water as recently as the early 1980s, due mainly to its awkward position on the calendar (it was once the final official tournament of the year, played during the holiday season). The timing of the event did not play well with players who were weary of travel and, much like today, prone to ask, When do we get some time off?
Fortunately for the status quo, the Australian Open re-invented itself with both a new date (it became the first Grand Slam of the year, played after an adequate interval for the holidays) and a new facility—an effective one-two punch that was bold, risky, and in retrospect, prescient.
Early in the Open era (we're talking about the 1970s) the French Open was woefully behind the times, but an aggressive marketing strategy and infrasructural changes at the Roland Garros venue saved the day. It also didn't hurt that the advent of Open tennis helped break the Anglo-Australian stranglehold on the game. When players bred on red clay—think Bjorn Borg, Ilie Nastase, Adriano Panatta—rose to stardom, they took the red dirt tournament with them. Borg stood heads and shoulders above the other emerging European stars, and he deserves credit (which he rarely gets) for making Roland Garros relevant in the pro era. He was at his very best on clay, but able to dominate world tennis. This raised the stock of clay enormously.